Western Classical Music

It is mainly patronized by the Indian Zoroastrian community and small esoteric groups with historical exposure to Western Classical Music. Another esoteric group with significant patronage is the Protestant Christian community in Chennai and Bangalore. St Andrews and St Georges in Chennai and St Marks in Bangalore are churches with regular pipe organ recitals. There are practically no conservatories, opera companies or working symphonies that cater to Western Classical music. Western Music education is also severely neglected and pretty rare in India. Western Keyboard, drums and guitar instruction being an exception as it has found some interest; mainly in an effort to create musicians to service contemporary popular Indian music. Many reasons have been citied for the obscurity of Western Classical Music in India, a country rich in its musical heritage by its own right, however the two main reasons are an utter lack of exposure and a passive disinterest in what is considered esoteric at best. Also, the difficulty in importing Western Musical instruments and their rarity has also contributed to the obscurity of Classical Western music.
Despite more than a century of exposure to Western classical music and two centuries of British colonialism, classical music in India has never gained more than 'fringe' popularity. Many attempts to popularize Western Classical Music in India have failed in the past due to disinterest and lack of sustained efforts, most notably in the setting up of the Bombay Symphony Orchestra by Mehli Mehta in the 1930s. In 2006 at Mumbai (Bombay), the National Centre for the Performing Arts was established with a grant of Rs 4 million from the Sir Dorabji Tata Trust (an eminent Indian-Zoroastrian entrepreneur) and the collaboration of other corporate houses to promote Western Classical music and visual arts. It was designed to accommodate performance of symphony orchestras and Operas. However, there are still no schools of repute that train musicians in Western classical music or vocalists in Opera to this day. Most Indians in Western classical music reside outside India in countries with adequate training and performance opportunities.

Indian Rock And Metal Music

The rock music "scene" in India is extremely small when compared to filmi or fusion music "scenes" but has of recent years come into its own, achieving a cult status of sorts. Rock music in India has its origins in 1960s and 70's when international stars such as The Beatles visited India and brought their music with them. These artistes' collaboration with Indian musicians such as Ravi Shankar and Zakir Hussain have led to the development of Raga Rock. International short wave radio stations such as The Voice of America, BBC, and Radio Ceylon played a major part in bringing Western pop, folk, and rock music to the masses. You can hear some of the songs that were heard over these stations during the 60's here. However Indian Rock Bands began to gain prominence only much later, around the late 1980s. It was around this time that the rock band Indus Creed formerly known as The Rock Machine got itself noticed on the international stage with hits like Rock N Roll Renegade. Other bands quickly followed. As of now, the rock music scene in India is quietly growing day by day and gathering more support. With the introduction of MTV in the early 1990s, Indians began to be exposed to various forms of rock such as grunge and speed metal. This influence can be clearly seen in many Indian bands today. The cities of Kolkata, Chennai, Delhi, Mumbai and Bangalore have emerged as major melting pots for rock and metal enthusiasts. Some prominent bands include Indian Ocean, Dementra, Parikrama, Pentagram,Reverrse Polarity, Hologram, Thermal and a Quarter,No Idea, Zero, Half Step Down, Scribe, Indus Creed, Demonic Resurrection, PRITHVI, Agni, Exiled, Cassini's Division, The Supersonics, Span, Camouflage, Five Little Indians and Nexus. The future looks encouraging thanks to entities such as Green Ozone, DogmaTone Records, Eastern Fare Music Foundation, that are dedicated to promoting and supporting Indian Rock.

Indian PoP Music

Indian pop music, often known as Indipop or Indi-pop, is based on an amalgamation of Indian folk and classical music, and modern beats from different parts of the world. Much of Indian Pop music comes from the Indian Film Industry, and until the 1990s, few singers like Usha Uthup, Sharon Prabhakar, and Peenaz Masani outside it were popular. Since then, pop singers in the latter group have included Baba Sehgal, Alisha Chinai, Shantanu Mukherjee aka Shaan, Sagarika, Colonial Cousins (Hariharan, Leslie Lewis), Lucky Ali, and Sonu Nigam, and music composers like Jawahar Wattal, who made top selling albums with, Daler Mehndi, Shubha Mudgal , Baba Sehgal, Swetha Shetty and Hans Raj Hans.
Besides those listed above, popular Indi-Pop singers include Zubeen Garg,Daler Mehndi, Raghav Sachar Rageshwari, Devika Chawla, Bombay Vikings, Asha Bhosle, Sunidhi Chauhan, Bombay Rockers, Anu Malik, Jazzy B, Malkit Singh, Hans Raj Hans, Raghav, Jay Sean, Juggy D, Rishi Rich, Sheila Chandra, Bally Sagoo,jabi MC, Bhangra Knights, Mehna, and Sanober.
Recently, Indian pop has taken an interesting turn with the "remixing" of songs from past Indian movie songs, new beats being added to them.

Indian folk Music

Indian folk music is diverse because of India's vast cultural diversity. It has many forms including bhangra, lavani, dandiya and Rajasthani. The arrival of movies and pop music weakened folk music's popularity, but cheaply recordable music has made it easier to find and helped revive the traditions. Folk music (desi) has been influential on classical music, which is viewed as a higher art form. Instruments and styles have impacted classical ragas. It is also not uncommon for major writers, saints and poets to have large musical libraries and traditions to their name, often sung in thumri (semi-classical) style. Most of the folk music of India is dance-oriented.

Filmi Music Of India

Filmi music tends to have appeal across India and overseas, especially among the Indian diaspora. Songs are often in different languages depending on the industry, for example in Hindi or Tamil. Playback singers are usually more noted for their ability to sing rather than their charisma as performers. Though these singers may release solo albums, their performances in film soundtracks tend to be more noticed due to the widespread appeal of movies.
At the "Filmi Melody: Song and Dance in Indian Cinema" archive presentation at UCLA, filmi was praised as a generally more fitting term for the tradition than 'Bombay melody' "to suggest that the exuberant music and melodrama so closely identified with the Hindi commercial cinema produced in Bombay (Mumbai) are truly pan-Indian."

Bhajan Music Of India

A Bhajan is any type of Indian devotional song. It has no fixed form: it may be as simple as a mantra or kirtan or as sophisticated as the dhrupad or kriti with music based on classical ragas and talas. It is normally lyrical, expressing love for the Divine. The name, a cognate of bhakti, meaning religious devotion, suggests its importance to the bhakti movement that spread from the south of India throughout the entire subcontinent in the Moghul era.
Anecdotes and episodes from scriptures, the teachings of saints and descriptions of gods have all been the subject of bhajans. The Dhrupad style, Sufi qawwali and the kirtan or song in the Haridas tradition are related to bhajan. Nanak, Kabir, Meera, Narottama Dasa, Surdas and Tulsidas are notable composers. Traditions of bhajan such as Nirguni, Gorakhanathi, Vallabhapanthi, Ashtachhap, Madhura-bhakti and the traditional South Indian form Sampradya Bhajan each have their own repertoire and methods of singing.

Rap Music

Rap music is a style of poetic rhyming set to a heavy percussive beat often including a chorus sung by another performer in the style of traditional pop or rhythm and blues. Rap music is primarily an American medium but in recent years has exploded onto the world stage and rappers can now be found on almost every nation.
Most music fans associate rap music with African American youth from the ghettos, projects, and lower strata of American society, and since most performers come from one of those backgrounds the idea has gained acceptance.The 1970s in New York was when Rap found it’s way into Hip hop music, initially as a small part of an overall track, and later as the major part of a track with a small Hip Hop component. The first track to enter the billboard charts with a rap sound was the group Last Poets with their debut track ‘Wake Up, Niggers’, a political commentary that accompanied the film “Right On”.

Hip hop Music

Hip hop is a musical genre which developed alongside hip hop culture, and is commonly based on concepts of looping, rapping, freestyling, DJing, scratching, sampling and beatboxing. The music is used to express concerns of political, social, and personal issues. Hip hop began in the Bronx in New York City in the 1970s, primarily among African Americans, with Jamaican and Latino American immigrant influence. The term rap is often used synonymously with hip hop, but hip hop denotes the practices of an entire subculture.
Rapping, also referred to as MCing or emceeing, is a vocal style in which the artist speaks lyrically, in rhyme and verse, generally to an instrumental or synthesized beat. Beats, almost always in 4/4 time signature, can be created by looping portions of other songs, usually by a DJ, or sampled from portions of other songs by a producer.Modern beats incorporate synthesizers, drum machines, and live bands. Rappers may write, memorize, or improvise their lyrics and perform their works a cappella or to a beat.

Punk Rock Music

Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a ethic, with many bands self-producing their recordings and distributing them through informal channels.
By late 1976, bands such as the Ramones, in New York City, and the Sex Pistols and The Clash, in London, were recognized as the vanguard of a new musical movement. The following year saw punk rock spreading around the world. Punk quickly, though briefly, became a major cultural phenomenon in the United Kingdom. For the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.
By the beginning of the 1980s, faster, more aggressive styles such as hardcore and Oi! had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to post-punk and the alternative rock movement. By the turn of the century, pop punk had been adopted by the mainstream, with bands such as Green Day and The Offspring bringing the genre widespread popularity.

Latin American Music

Latin American music is the music of all countries in Latin America (and the Caribbean) and comes in many varieties. Latin America is home to musical styles such as the simple, rural conjunto music of northern Mexico, the sophisticated habanera of Cuba, the rhythmic sounds of the Puerto Rican plena, the symphonies of Heitor Villa-Lobos, and the simple and moving Andean flute. Music has played an important part recently in Latin America's politics, the nueva canción movement being a prime example. Latin music is very diverse, with the only truly unifying thread being the use of Latin-derived languages, predominantly the Spanish language, the Portuguese language in Brazil, and to a lesser extent, Latin-derived creole languages, such as those found in Haiti.

Metal Music

Heavy metal (often referred to simply as metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and the United States. With roots in blues-rock and psychedelic rock, the bands that created heavy metal developed a thick, massive sound, characterized by highly amplified distortion, extended guitar solos, emphatic beats, and overall loudness. Heavy metal lyrics and performance styles are generally associated with masculinity and machismo.
The first heavy metal bands such as Led Zeppelin, Black Sabbath and Deep Purple attracted large audiences, though they were often critically reviled, a status common throughout the history of the genre. In the mid-1970s Judas Priest helped spur the genre's evolution by discarding much of its blues influence; Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Bands in the New Wave of British Heavy Metal such as Iron Maiden followed in a similar vein. Before the end of the decade, heavy metal had attracted a worldwide following of fans known as "metalheads" or "headbangers".
In the 1980s, glam metal became a major commercial force with groups like Motley Crue. Underground scenes produced an array of more extreme, aggressive styles: thrash metal broke into the mainstream with bands such as Metallica, while other styles like death metal and black metal remain subcultural phenomena. Since the mid-1990s, popular styles such as nu metal, which often incorporates elements of funk and hip hop and metalcore, which blends extreme metal with hardcore punk, have further expanded the definition of the genre.

Rock Music

It is a genre of popular music that entered the mainstream in the 1960s. It has its roots in 1940s and 1950s rock and roll, rhythm and blues country music and also drew on folk music, jazz and classical music.
The sound of rock often revolves around the guitar back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody."
In the late 1960s and early 1970s, rock music developed different subgenres. When it was blended with folk music it created folk rock, with blues to create blues-rock and with jazz, to create jazz-rock fusion. In the 1970s, rock incorporated influences from soul, funk, and Latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, glam rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included new wave, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal. artist and bands such as Adam Lambert, linkin park, green day, paramore,etc. are all found under the category of rock.

Tamang Music

Tamang community is well known for Damphu, traditional instrument. Tamang selo music is based on the usage of Damphu and Tungna.It is said that British people got an idea of making Drum Sets from Damphu during their stay at India. Western and Indian instruments are also found in some modern Tamang Selo music. Recently due to the re-mixing trend of classic Nepali songs, Tamang Selo tuned songs like changba hoi changba, Man chadey Maichyang lai have been a hit in Nepali radio stations. Also, Modern artists like Sindhu Malla, Raju Lama, Avinash Ghising, Roj Moktan, Bijay Lama, etc. have used Tamang Selo tunes in their songs and those songs have also been a hit.

Gurung Music

The Gurung have a very rich tradition of music and culture. Gurungs have an ancient tradition of Rodhi where young people meet, sing and dance to folk songs, and share their views. Young men and women at Rodhi often sing call-and-response songs called dohori, which are largely improvised. Some musical dances like Ghantu and Chudka are still in existence, and are still performed in many Gurung villages. These dances are many hundreds of years old, and are performed either solo or in a group. Music also plays a big role in the Gurung ritual of Argum, which is performed when someone in the community dies.
These traditions are still very much alive in rural Gurung villages. Gurung films are also popularizing some of these songs and dances.

Khas Music

In the Khas society traditionally, castes like Damai, used to play a number of instruments for occasions such as marriage. However, with many villages now having television, radio and even a local FM station, such accounts are declining gradually. The minstrels, gaine, used to play instruments like Sarangi but even the Gaine are declining in number. A special type of Khas music called Deuda is played in Far West and Mid West.

Carnatic Music

Carnatic music tends to be significantly more structured than Hindustani music; examples of this are the logical classification of ragas into melakarthas, and the use of fixed compositions similar to Western classical music. Carnatic raga elaborations are generally much faster in tempo and shorter than their equivalents in Hindustani music. The opening piece is called a varnam, and is a warm-up for the musicians. A devotion and a request for a blessing follows, then a series of interchanges between ragams (unmetered melody) and thaalams (the ornamentation, equivalent to the jor). This is intermixed with hymns called krithis. This is followed by the pallavi or theme from the raga. Carnatic pieces also have notated, lyrical poems that are reproduced as such, possibly with embellishments and treatments as per the performer's ideology; these basic pieces are called compositions. Compositions usually have flexibility in them so as to foster creativity: it is commonplace to have same composition sung in different ways by different performers.
Carnatic music is similar to Hindustani music in that it is improvised (see musica improvisation). Primary themes include worship, descriptions of temples, philosophy, nayaka-nayaki themes and patriotic songs. Tyagaraja (1759-1847), Muthuswami Dikshitar (1776-1827) and Syama Sastri (1762-1827) are known as the Trinity of Carnatic music, while Purandara Dasa(1480-1564) is often called the father of Carnatic music.

Hindustani Classical Music

Khyal and dhrupad are the two main forms of Hindustani music, but there are several other classical and semi-classical forms. Players of the tabla, a type of drum usually keep the rhythm, an indicator of time in Hindustani music. Another common instrument is the stringed tanpura, which is played at a steady tone (a drone) throughout the performance of the raga. This task traditionally falls to a student of the soloist, a task which might seem monotonous but is, in fact, an honour and a rare opportunity for the student who gets it. Other instruments for accompaniment include the sarangi and the harmonium. The prime themes of Hindustani music are romantic love, nature, and devotionals. Yet, Indian classical music is independent of such themes. To sing a raga any poetic phrase appropriate for the raga may be chosen and the raga would not suffer.The performance usually begins with a slow elaboration of the raga, known as badhat. This can range from long (30–40 minutes) to very short (2–3 minutes) depending on the style and preference of the musician. Once the raga is established, the ornamentation around the mode begins to become rhythmical, gradually speeding up. This section is called the drut. Finally, the percussionist joins in and the tala is introduced. There is a significant amount of Persian influence in Hindustani music, in terms of both the instruments and the style of presentation.

Indian Classical Music

The origins of Indian classical music can be found from the oldest of scriptures part of the Hindu tradition, the Vedas.The Samaveda, one of the four Vedas, describes music at length. The Samaveda was created out of Rigveda so that its hymns could be sung as Samagana, this style evolved into jatis and eventually into ragas. Indian classical music has its origins as a meditation tool for attaining self realization. All different forms of these melodies (ragas) are believed to affect various "chakras" (energy centers, or "moods") in the path of the Kundalini. However, there is little mention of these esoteric beliefs in Bharat's Natyashastra, the first treatise laying down the fundamental principles of drama, dance and music.
Indian classical music has one of the most complex and complete musical systems ever developed. Like Western classical music, it divides the octave into 12 semitones of which the 7 basic notes are Sa Re Ga Ma Pa Dha Ni Sa, in order, replacing Do Re Mi Fa Sol La Ti Do.The two main streams of Indian classical music are:
1)Hindustani classical music, originally from North India
2)Carnatic music, originally from South India

Indian Music

The music of India includes multiple varieties of folk, popular, pop, classical music and R&B. India’s classical music tradition, including Carnatic and Hindustani music , has a history spanning millennia and, developed over several eras, it remains fundamental to the lives of Indians today as sources of religious inspiration, cultural expression and pure entertainment. India is made up of several dozen ethnic groups , speaking their own languages and dialects , having very distinct cultural traditions.You can be part of Indian-Music.com team by contributing anything related to Indian Music. Submit Indian Music Articles, Telugu or Hindi Lyrics, Profiles of Artists you know etc You will be given full credit for the work you submit to our website.

Newari Music

Newari Music is a traditional music developed in Nepal by the Newars. It mainly consists of percussion instruments, some wind instruments and no string instruments. The Newars are very much rich in traditional, classical and folk music as in dances. Various music and dance events take place in different parts of Newar societies on the occasion of different festivals. In fact, the Newars are so duly intermixed with music and dances that not a single festival, feast or ceremony, 'from womb to tomb', passes without a music or music and dances. Various songs, musical instruments and dances are connected with various religious, social and cultural life of the Newars Different musical instruments are in practice in the festival, feasts, ceremonies and also in funeral procession. Newari songs and music have caught up in the market, especially in Kathmandu Valley. As a result, production of Newari music albums is on a steady rise. In 90s the young lyricist R has added a new dimension to the contemporary Newari music by presenting two brand new albums Chha Wa Ji Wa and Balabalachingu Mikha presenting tNewari music has pretty much been isolated from modern invasion of western influence; this is definitely a good thing for people who want to treasure Newari culture and tradition, however, because of lack of effort from artists, musiciansand promoters to give Newari music a 'face lift' younger generation has drifted too far as to listen to either Nepali rap, hip hop, rock and other genres if not English. Most Newars will resist naturally to bringing such a change into their culture despite the fact that trying to preserve the same culture most of 'newar selves' have drifted away from their own culture.

Nepali Popular Music

The following music genres have their roots in Nepal and are therefore considered to be indigenous. This includes:-

Newari Music
The Newars are well-known for their Newari music. It mainly consists of percussion instruments, some wind instruments and no string instruments. All the castes have their musical tunes and bands.Music is cherished by people of all walks of life. There are tunes of certain festivals and seasons and even of certain times of day. The God of artists called Nâsadya is found in all the Newar localities. The presence of a Newari musical band in a guthi is considered as a sign of opulence.

Khas Music
Khas music belongs to the Khas society where castes like Damai used to play a number of instruments on occasions such as marriages, birth and other feasts. This tradition is now on decline owing to the growing popularity of television, radio and other means of mass communication. The minstrels used to play instruments like Sarangi but even the Gaine are declining in number.

Types Of Music

The rhythm, beats, bounce of Nepali traditional folk and classical music is spiritual enough to sooth you and entertaining enough to cheer you. Music is associated with every event in Nepal, then be it birth, marriage, festivals or National events.Various songs, musical instruments and dances are connected with various religious, social and cultural life of the Nepalese. Music is the heartbeat of Nepal. Music is associated to every event of life, then be it festivals, feasts, marriage, birth ceremonies or funeral processions. The main genres of Nepali music are pop, rock, folk, and classical. There are a number of other genres that are yet to be cataloged.

Traditional Nepali Music	Imported Music
Newari Music	Indian Music Bhajan Filmi music
Khas Music	Western Music Rock & Roll Rock Metal Latino Punk Hip-Hop Rap
Gurung Music
Kirant Music
Tamang Music
Magar Music
Sherpa Music
Maithili Music
Bhojpuri Music

Music Museum Of Nepal

The Music Museum of Nepal was founded in the year 1995 with a view to collecting, preserving and glorifying Nepali folk musical instruments. There are more than 100 ethnic groups in Nepal, each with their own culture and traditions to mark every occasion from birth to death with music. Each group organizes various musical ceremonies and plays their own musical instruments in accordance with traditions and rituals. Many groups such as Gaine, Damai, Badi have adopted folk music as their way of life and play folk musical instruments professionally. Our study has found more than 525 kinds of musical instruments in Nepal.

Modern history of music

The modern history is a very short one. At times when big and private music companies where mushrooming the Western cities, Kathmandu got its first radio station, Radio Nepal in the year 1952. Since then Radio Nepal has expanded to become the dominant radio station all over the country, which helped in the uprising of many key figures in the field, notably Shiva Shankar, Natikaji, Narayan Gopal, Arun Thapa Magar (also known as Arun Thapa) , Dharma Raj Thapa, Jhalak Man Gandarva, and in the female arena Koili Devi Mathema, Tara Devi, Aruna Lama.

Music of Nepal,Bhutan and Sikkim

Little is presently known about the music of Nepal, Bhutan, and Sikkim. Minstrels play a major role in the musical life of Nepal, where, under the influence of Indian practice, musicians are classified according to caste and each group is distinguished by specific instruments and repertoire. There appears to be a great deal of both Indian-related and indigenous folk music in the three Himalayan kingdoms. Varieties of lute, such as the long-necked damyan of Nepal and its Sikkimese relative, may be linked to a similar instrument of the Pamir Mountains, while a Sikkimese flute having an outside air duct (in contrast to the inside duct of a Western recorder) seems to be a unique instrument.

Introduction of music in Nepal

Music of Nepal refers to the various musical genres of Nepal.With more than fifty ethnic diversities, the music of this country is a highly dispersed phenomenon. Although genres like pop,rock,folk, and Classical music exist, a huge number of such genres are yet to be cataloged. Many musical bands exist in Nepal, with a huge number in Kathmandu.Most of the recent ones focused in pop and rock. Rap has been known to emerge on the charts from time to time.